Second Wave of Modernism II
A couple weeks ago I attended the Second Wave of Modernism II Conference at the Museum of Modern Art, a follow-up to the 2008 Conference held in Chicago. Presented by The Cultural Landscape Foundation (TCLF), and sponsored by Charles Luck Stone Center and Landscape Forms, the all-day event featured three panels geared around the general theme of Landscape Complexity and Transformation: Residential Transformations, Urban Renewal Re-Evaluated, Metropolitan Transformations. Given TCLF's focus on "increasing the public's awareness and understanding of the importance and irreplaceable legacy of its cultural landscapes," landscape architects, academics, and related practitioners comprised the majority of the participants, but, as will be seen, a couple architects were also thrown into the mix. Below are my quick-and-dirty, one-to-two-sentence summaries of the various contributions throughout the day.
Opening Remarks:
Barry Bergdoll, Chief Curator of Architecture and Design at MoMA, situated the conference within the larger context of the museum's exhibitions -- from 1964's "Modern Gardens and the Landscape" to 2005's "Groundswell" -- that focused on landscape architecture.
Charles Birnbaum, founder of TCLF and the Conference's main organizer, presented some of the "First Wave" of modern landscape architects and their writings (Fletcher Steele, Lawrence Halprin, Dan Kiley, etc.), and then laid down the ground rules for the panels: each presenter should discuss their influences, their ideology, and a specific project.
Jane Amidon, Professor and Director in Urban Landscape at Northeastern University, was optimistic about the growth of landscape architecture as a profession but warned that it will need to deal with more stringent codes that parallel that growth.
Panel 1: Residential Transformations:
Joeb Moore, Principal of Joeb Moore + Partners, spoke fairly abstractly and psychologically about a shift from object/product/mechanics to process/field/systems, recounting the writings of György Kepes and Richard Neutra ("Inner and Outer Landscape") and the work of MIT's The Center for Advanced Visual Studies, which Kepes founded.
Lisa Gimmy, Principal of Lisa Gimmy Landscape Architecture, traced her influences from visiting Sea Ranch as a young girl to visiting the Woodland Cemetery in Stockholm; she presented her office's renovation of the landscape around Richard Neutra's Kun 2 house in the Hollywood Hills, a design that skillfully works plantings into new retaining walls and features an undulating carpet of green over some boulders.
Christopher LaGuardia, Principal of LaGuardia Design, brought up one of the few architects (not landscape) that appear to bridge the two realms: Luis Barragan; he then spoke about Norman Jaffe (an architect who did lots of houses on Long Island and actually employed LaGuardia for a while) and the Perlbinder Residence, which was added to by architect Cristian Sabella Rosa with a reconfigured landscape by LaGuardia.
Gary Hilderbrand, Principal of Reed Hilderbrand Associates, grew up on the Hudson River, which was a large influence alongside the weekend trips to New York City and museums like the Whitney and MoMA. He discussed his work on the landscape around the Beck House in Texas by Philip Johnson; I especially liked Hilderbrand's statement that he designs relative to the next larger order, in this case the nearby river, which the new landscape echoes in parallel rows of stone terraces.
Panel 2: Urban Renewal Re-Evaluated:
Thaisa Way, Associate Professor of Landscape Architecture at the University of Washington, discussed, as the panel moderator, the need to refine, rather than replace, when facing work on urban renewal projects from the last century.
Elizabeth K. Meyer, Associate Professor of Landscape Architecture at the University of Virginia, discussed the future of the grounds around the Jefferson National Expansion Memorial (JNEM) in St. Louis; she worked as a historian with designer Michael Van Valkenburgh, presenting some great archival photos of the city before and after the construction of the Arch and the grounds, as well as sketches of the latter by landscape architect Dan Kiley.
Michael Van Valkenburgh, Principal of Michael Van Valkenburgh Associates, spoke highly of the influence of Dan Kiley, including his gardens at the Art Institute of Chicago, an outdoor place I am also fond of. He mainly spoke about the winning design for JNEM, which shifts the entry from the north, and a large parking garage, to the west, and garages within the downtown; it focuses on edges, such as the Mississippi River, where the walkway will merge with the water; and it moves away from a "mow, blow, and go" landscape.
Charles Renfro, Principal of Diller Scofidio + Renfro, spoke about glass, particularly in relation to DS+R's Lincoln Center transformation; his one mention of landscape was the Illumination Lawn, "an egalitarian space on top of an elitist restaurant."
Raymond Jungles, Principal of Raymond Jungles Inc., talked about growing up in Nebraska, playing hockey in Illinois (hey, I did that too!), stealing a magazine with a Barragan project from his dentist's office, and moving to Miami and working with Roberto Burle Marx. For the project he candidly discussed the 1111 Lincoln Road project with Herzog and de Meuron, who explained to Jungles, when he proposed a structure of some sort in the landscape, that "landscape architects do not design structures in HdM projects."
Intermission:
Before the break for lunch, Charles Birnbaum had some choice words for Charles Renfro, whose firm transformed a Dan Kiley-designed landscape at Lincoln Center, yet who failed to mention Kiley once during his presentation. On the other hand, Michael Van Valkenburgh mentioned Kiley close to 40 times. Admittedly perturbed, Birnbaum found Renfro's lack of mention or appreciation to be indicative of a fissure between architects and landscape architects, something that needs to be overcome. At the time I wasn't sure if he was also berating Valkenburgh for name-dropping Kiley so much, instead of focusing on other things (process, ecology, etc.). Yet both landscapes were designed by Kiley, so the latter definitely was not the case
Panel 3: Metropolitan Transformations:
Due to getting back late from lunch I missed Bradford McKee, Editor-in-Chief of Landscape Architecture Magazine, and Julie Bargmann, Founding Principal of D.I.R.T. Studio, though a friend pointed out that the latter is responsible for the design at BLDG92, which I omitted to research and mention in my blog post, since corrected. Looks like, per Charles Birnbaum's comments, I have some work to do.
James Corner, Principal of James Corner Field Operations, had the most diverse influences, from his Manchester upbringing (city, nature, soccer) to Ian McHarg, Bernard Tschumi's Parc de la Villette, Robert Rauschenburg, Rowe and Koetter's Collage City, and even how sweat on the skin indicates that form and process are one. His project -- the Qianhai Water City near Shenzhen, China -- uses landscape "fingers" to clean the water in the new town of 5 million people.
Kathyrn Gustafson, Founding Partner and Director of Gustafson Guthrie Nichol, talked about her upbringing in Yakima, Washington, and how its landscape of dry nature and irrigation influenced her thinking, which contrasted with the grand gardens of Versailles. She presented a couple in-progress projects and ended by stating that landscape architects should focus on creating places for discovery, layering history, program, nature and ecology.
Opening Remarks:
Barry Bergdoll, Chief Curator of Architecture and Design at MoMA, situated the conference within the larger context of the museum's exhibitions -- from 1964's "Modern Gardens and the Landscape" to 2005's "Groundswell" -- that focused on landscape architecture.
Charles Birnbaum, founder of TCLF and the Conference's main organizer, presented some of the "First Wave" of modern landscape architects and their writings (Fletcher Steele, Lawrence Halprin, Dan Kiley, etc.), and then laid down the ground rules for the panels: each presenter should discuss their influences, their ideology, and a specific project.
Jane Amidon, Professor and Director in Urban Landscape at Northeastern University, was optimistic about the growth of landscape architecture as a profession but warned that it will need to deal with more stringent codes that parallel that growth.
Panel 1: Residential Transformations:
Joeb Moore, Principal of Joeb Moore + Partners, spoke fairly abstractly and psychologically about a shift from object/product/mechanics to process/field/systems, recounting the writings of György Kepes and Richard Neutra ("Inner and Outer Landscape") and the work of MIT's The Center for Advanced Visual Studies, which Kepes founded.
Lisa Gimmy, Principal of Lisa Gimmy Landscape Architecture, traced her influences from visiting Sea Ranch as a young girl to visiting the Woodland Cemetery in Stockholm; she presented her office's renovation of the landscape around Richard Neutra's Kun 2 house in the Hollywood Hills, a design that skillfully works plantings into new retaining walls and features an undulating carpet of green over some boulders.
Christopher LaGuardia, Principal of LaGuardia Design, brought up one of the few architects (not landscape) that appear to bridge the two realms: Luis Barragan; he then spoke about Norman Jaffe (an architect who did lots of houses on Long Island and actually employed LaGuardia for a while) and the Perlbinder Residence, which was added to by architect Cristian Sabella Rosa with a reconfigured landscape by LaGuardia.
Gary Hilderbrand, Principal of Reed Hilderbrand Associates, grew up on the Hudson River, which was a large influence alongside the weekend trips to New York City and museums like the Whitney and MoMA. He discussed his work on the landscape around the Beck House in Texas by Philip Johnson; I especially liked Hilderbrand's statement that he designs relative to the next larger order, in this case the nearby river, which the new landscape echoes in parallel rows of stone terraces.
Panel 2: Urban Renewal Re-Evaluated:
Thaisa Way, Associate Professor of Landscape Architecture at the University of Washington, discussed, as the panel moderator, the need to refine, rather than replace, when facing work on urban renewal projects from the last century.
Elizabeth K. Meyer, Associate Professor of Landscape Architecture at the University of Virginia, discussed the future of the grounds around the Jefferson National Expansion Memorial (JNEM) in St. Louis; she worked as a historian with designer Michael Van Valkenburgh, presenting some great archival photos of the city before and after the construction of the Arch and the grounds, as well as sketches of the latter by landscape architect Dan Kiley.
Michael Van Valkenburgh, Principal of Michael Van Valkenburgh Associates, spoke highly of the influence of Dan Kiley, including his gardens at the Art Institute of Chicago, an outdoor place I am also fond of. He mainly spoke about the winning design for JNEM, which shifts the entry from the north, and a large parking garage, to the west, and garages within the downtown; it focuses on edges, such as the Mississippi River, where the walkway will merge with the water; and it moves away from a "mow, blow, and go" landscape.
Charles Renfro, Principal of Diller Scofidio + Renfro, spoke about glass, particularly in relation to DS+R's Lincoln Center transformation; his one mention of landscape was the Illumination Lawn, "an egalitarian space on top of an elitist restaurant."
Raymond Jungles, Principal of Raymond Jungles Inc., talked about growing up in Nebraska, playing hockey in Illinois (hey, I did that too!), stealing a magazine with a Barragan project from his dentist's office, and moving to Miami and working with Roberto Burle Marx. For the project he candidly discussed the 1111 Lincoln Road project with Herzog and de Meuron, who explained to Jungles, when he proposed a structure of some sort in the landscape, that "landscape architects do not design structures in HdM projects."
Intermission:
Before the break for lunch, Charles Birnbaum had some choice words for Charles Renfro, whose firm transformed a Dan Kiley-designed landscape at Lincoln Center, yet who failed to mention Kiley once during his presentation. On the other hand, Michael Van Valkenburgh mentioned Kiley close to 40 times. Admittedly perturbed, Birnbaum found Renfro's lack of mention or appreciation to be indicative of a fissure between architects and landscape architects, something that needs to be overcome. At the time I wasn't sure if he was also berating Valkenburgh for name-dropping Kiley so much, instead of focusing on other things (process, ecology, etc.). Yet both landscapes were designed by Kiley, so the latter definitely was not the case
Panel 3: Metropolitan Transformations:
Due to getting back late from lunch I missed Bradford McKee, Editor-in-Chief of Landscape Architecture Magazine, and Julie Bargmann, Founding Principal of D.I.R.T. Studio, though a friend pointed out that the latter is responsible for the design at BLDG92, which I omitted to research and mention in my blog post, since corrected. Looks like, per Charles Birnbaum's comments, I have some work to do.
James Corner, Principal of James Corner Field Operations, had the most diverse influences, from his Manchester upbringing (city, nature, soccer) to Ian McHarg, Bernard Tschumi's Parc de la Villette, Robert Rauschenburg, Rowe and Koetter's Collage City, and even how sweat on the skin indicates that form and process are one. His project -- the Qianhai Water City near Shenzhen, China -- uses landscape "fingers" to clean the water in the new town of 5 million people.
Kathyrn Gustafson, Founding Partner and Director of Gustafson Guthrie Nichol, talked about her upbringing in Yakima, Washington, and how its landscape of dry nature and irrigation influenced her thinking, which contrasted with the grand gardens of Versailles. She presented a couple in-progress projects and ended by stating that landscape architects should focus on creating places for discovery, layering history, program, nature and ecology.
2011 Holiday Gift Books
As in the last six years, I'm presenting a list of gift books just in time for the holidays. This year I'm presenting one each from over 40 publishers, posted in one long list. Click on the cover or book title to get more information or to purchase, in most cases, at Amazon.
AA Publications:
Manifest Destiny: A Guide to the Essential Indifference of American Suburban Housing by Jason Griffiths
Actar:
Roberto Burle Marx: The Modernity of Landscape edited by Lauro Cavalcanti, Francis Rambert, Farès el-Dahdah
a+t:
a+t 37: Strategy Space
Birkhäuser:
Floor Plan Manual Housing, 4th revised and extended edition edited by Oliver Heckmann, Friederike Schneider
CCA:
Architecture in Uniform: Designing and Building for the Second World War by Jean-Louis Cohen
Columbia University GSAPP:
Erieta Attali: In Extremis: Landscape into Architecture by Erieta Attali (Read my review here.)
Cooper-Hewitt, National Design Museum:
Design with the Other 90%: Cities by Cynthia Smith
Da Capo Press:
Genius of Place: The Life of Frederick Law Olmsted by Justin Martin
Éditions Xavier Barral:
Dark Lens edited by Cédric Delsaux
eVolo:
eVolo Skyscrapers edited by Carlo Aiello
Gestalten:
Sublime: New Architecture and Design from Japan edited by R. Klanten, S. Ehmann, K. Bolhöfer, A. Kupetz, B. Meyer
Hatje Cantz:
Wim Wenders: Places, Strange and Quiet by Wim Wenders
Images Publishing Group:
New York Dozen: Gen X Architects by Michael J. Crosbie
Island Press
The Architecture of Community by Leon Krier (The 2009 book, now in paperback.)
Lars Müller Publishers:
Landform Building: Architecture's New Terrain edited by Stan Allen and Marc McQuade
Laurence King Publishing:
100 Ideas that Changed Architecture by Richard Weston (Also of note: Magma Sketchbook: Design and Art Direction, designed by Studio8)
Metropolis Books:
Architects' Sketchbooks by Will Jones (Read my review here.)
MIT Press:
Urban Code: 100 Lessons for Understanding the City by Anne Mikoleit and Moritz Pürckhauer
The Monacelli Press:
Carrot City: Creating Places for Urban Agriculture by Mark Gorgolewski, June Komisar, Joe Nasr
Multi-Story Books:
By the City/For the City: An Atlas of Possibility for the Future of New York edited by Anne Guiney and Brendan Crain
NAi Publishers:
Housing Design: A Manual (More information at NAi Publishers.)
ORO Editions:
Banham in Buffalo: 5 Years of the P. Reyner Banham Fellowships at the University at Buffalo School of Architecture
Oxford University Press:
New York's Golden Age of Bridges paintings by Antonio Masi, essays by Joan Marans Dim
Penguin:
The Heights: Anatomy of a Skyscraper by Kate Ascher (Read my review here.)
Phaidon:
The Phaidon Atlas of 21st Century World Architecture Travel Edition
Princeton Architectural Press:
The Architectural Detail by Edward R. Ford
Princeton University Press:
Kissing Architecture by Sylvia Lavin
Reaktion Books:
Italy: Modern Architectures in History by Diane Yvonne Ghirardo
Rizzoli:
Frank Lloyd Wright Designs: The Sketches, Plans, and Drawings by Bruce Brooks Pfeiffer
Routledge:
Spatial Agency: Other Ways of Doing Architecture edited by Nishat Awan, Tatjana Schneider, Jeremy Till
Skira:
Promenade: The City of Culture of Galicia by Maxwell L. Anderson, Lawrence Chua, Rachel Healy, Andres Perea and Ramon Villares
Springer:
Wonderland Manual for Emerging Architects edited by Silvia Forlati and Anne Isopp
SUN Architecture:
How the city moved to Mr. Sun: China's new megacities by Michiel Hulshof and Daan Roggeveen
Taschen:
Project Japan: Metabolism Talks... by Rem Koolhaas and Hans Ulrich Obrist
teNeues:
Growth: Prix Pictet 3
Thames and Hudson:
Adjaye · Africa · Architecture by David Adjaye
Tuns:
Designing & Building: Rockhill and Associates, second edition edited by Brian Carter
Verso:
All Over the Map: Writing on Buildings and Cities by Michael Sorkin (Read my review here.)
Walther König, Köln:
Oswald Mathias Ungers: Morphologie: City Metaphors by O.M. Ungers (This is a new printing of the 1982 book.)
Wiley:
The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture by Charles Jencks (Read my review here.)
W.W. Norton:
Guide to Contemporary New York City Architecture by John Hill (Yes, I couldn't resist recommending my own book.)
Yale University Press:
Bertrand Goldberg: Architecture of Invention edited by Zoë Ryan
AA Publications:
Manifest Destiny: A Guide to the Essential Indifference of American Suburban Housing by Jason Griffiths
Actar:
Roberto Burle Marx: The Modernity of Landscape edited by Lauro Cavalcanti, Francis Rambert, Farès el-Dahdah
a+t:
a+t 37: Strategy Space
Birkhäuser:
Floor Plan Manual Housing, 4th revised and extended edition edited by Oliver Heckmann, Friederike Schneider
CCA:
Architecture in Uniform: Designing and Building for the Second World War by Jean-Louis Cohen
Columbia University GSAPP:
Erieta Attali: In Extremis: Landscape into Architecture by Erieta Attali (Read my review here.)
Cooper-Hewitt, National Design Museum:
Design with the Other 90%: Cities by Cynthia Smith
Da Capo Press:
Genius of Place: The Life of Frederick Law Olmsted by Justin Martin
Éditions Xavier Barral:
Dark Lens edited by Cédric Delsaux
eVolo:
eVolo Skyscrapers edited by Carlo Aiello
Gestalten:
Sublime: New Architecture and Design from Japan edited by R. Klanten, S. Ehmann, K. Bolhöfer, A. Kupetz, B. Meyer
Hatje Cantz:
Wim Wenders: Places, Strange and Quiet by Wim Wenders
Images Publishing Group:
New York Dozen: Gen X Architects by Michael J. Crosbie
Island Press
The Architecture of Community by Leon Krier (The 2009 book, now in paperback.)
Lars Müller Publishers:
Landform Building: Architecture's New Terrain edited by Stan Allen and Marc McQuade
Laurence King Publishing:
100 Ideas that Changed Architecture by Richard Weston (Also of note: Magma Sketchbook: Design and Art Direction, designed by Studio8)
Metropolis Books:
Architects' Sketchbooks by Will Jones (Read my review here.)
MIT Press:
Urban Code: 100 Lessons for Understanding the City by Anne Mikoleit and Moritz Pürckhauer
The Monacelli Press:
Carrot City: Creating Places for Urban Agriculture by Mark Gorgolewski, June Komisar, Joe Nasr
Multi-Story Books:
By the City/For the City: An Atlas of Possibility for the Future of New York edited by Anne Guiney and Brendan Crain
NAi Publishers:
Housing Design: A Manual (More information at NAi Publishers.)
ORO Editions:
Banham in Buffalo: 5 Years of the P. Reyner Banham Fellowships at the University at Buffalo School of Architecture
Oxford University Press:
New York's Golden Age of Bridges paintings by Antonio Masi, essays by Joan Marans Dim
Penguin:
The Heights: Anatomy of a Skyscraper by Kate Ascher (Read my review here.)
Phaidon:
The Phaidon Atlas of 21st Century World Architecture Travel Edition
Princeton Architectural Press:
The Architectural Detail by Edward R. Ford
Princeton University Press:
Kissing Architecture by Sylvia Lavin
Reaktion Books:
Italy: Modern Architectures in History by Diane Yvonne Ghirardo
Rizzoli:
Frank Lloyd Wright Designs: The Sketches, Plans, and Drawings by Bruce Brooks Pfeiffer
Routledge:
Spatial Agency: Other Ways of Doing Architecture edited by Nishat Awan, Tatjana Schneider, Jeremy Till
Skira:
Promenade: The City of Culture of Galicia by Maxwell L. Anderson, Lawrence Chua, Rachel Healy, Andres Perea and Ramon Villares
Springer:
Wonderland Manual for Emerging Architects edited by Silvia Forlati and Anne Isopp
SUN Architecture:
How the city moved to Mr. Sun: China's new megacities by Michiel Hulshof and Daan Roggeveen
Taschen:
Project Japan: Metabolism Talks... by Rem Koolhaas and Hans Ulrich Obrist
teNeues:
Growth: Prix Pictet 3
Thames and Hudson:
Adjaye · Africa · Architecture by David Adjaye
Tuns:
Designing & Building: Rockhill and Associates, second edition edited by Brian Carter
Verso:
All Over the Map: Writing on Buildings and Cities by Michael Sorkin (Read my review here.)
Walther König, Köln:
Oswald Mathias Ungers: Morphologie: City Metaphors by O.M. Ungers (This is a new printing of the 1982 book.)
Wiley:
The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture by Charles Jencks (Read my review here.)
W.W. Norton:
Guide to Contemporary New York City Architecture by John Hill (Yes, I couldn't resist recommending my own book.)
Yale University Press:
Bertrand Goldberg: Architecture of Invention edited by Zoë Ryan
Wednesday, Wednesday
My weekly page update:
This week's dose features Red Stair Amphitheatre in Melbourne, Australia by Marcus O'Reilly Architects:
The featured past dose is Red Light Platform in Rotterdam, Netherlands by Jasper Jägers Architecture:
This week's book review is Detail in Contemporary Glass Architecture by Virginia McLeod:
american-architects.com Building of the Week:
Clyfford Still Museum in Denver, Colorado by Allied Works:
Unrelated links will return on December 5th.
This week's dose features Red Stair Amphitheatre in Melbourne, Australia by Marcus O'Reilly Architects:
The featured past dose is Red Light Platform in Rotterdam, Netherlands by Jasper Jägers Architecture:
This week's book review is Detail in Contemporary Glass Architecture by Virginia McLeod:
american-architects.com Building of the Week:
Clyfford Still Museum in Denver, Colorado by Allied Works:
Unrelated links will return on December 5th.
Van Alen Books - Launch Party Pics
The Van Alen Institute has posted some photos from last night's book launch at Van Alen Books for my Guide to Contemporary New York City Architecture. A few are below, but head over to their Facebook page to look at the gallery with more pics.
[The steps -- technically an "installation" -- are perfect for a book launch.]
[VAi's Olympia Kazi asked me some questions about the book...I answered by waving my hands.]
[At one point I unrolled my "scroll" of all the buildings I considered for the book.]
[So that's what I look like from above?]
[The steps -- technically an "installation" -- are perfect for a book launch.]
[VAi's Olympia Kazi asked me some questions about the book...I answered by waving my hands.]
[At one point I unrolled my "scroll" of all the buildings I considered for the book.]
[So that's what I look like from above?]
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